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Becky Beasley - Thomas Bernard Malamud - Laura Bartlett Gallery 2009
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Becky Beasley - Thomas Bernard Malamud - Laura Bartlett Gallery 2009

Becky Beasley - Thomas Bernard Malamud - Laura Bartlett Gallery 2009

Thomas Bernard Malamud discloses, in its own clear yet unabridged way, the artist’s major concerns: the objects and activities of the everyday as physical, material and intellectual decisions played out in space by a subject who is simultaneously approaching and diminishing. At once humorous, emotive and, to use Thomas Bernhard’s term, ‘corrective’, Thomas Bernard Malamud proposes new ways of thinking about the everyday as a series of necessarily deathbound, yet potentially joyful, decisions and displacements, additions and reductions.

Texts by Becky Beasley, John Slyce, Lydia Davis, Chris Sharp, Simone Menegoi
Co-published with Office Baroque Antwerpen 

68p - EN - 28x21.5cm - softcover - Edition of 500
$24.40

Original: $69.72

-65%
Becky Beasley - Thomas Bernard Malamud - Laura Bartlett Gallery 2009—

$69.72

$24.40

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Becky Beasley - Thomas Bernard Malamud - Laura Bartlett Gallery 2009

Thomas Bernard Malamud discloses, in its own clear yet unabridged way, the artist’s major concerns: the objects and activities of the everyday as physical, material and intellectual decisions played out in space by a subject who is simultaneously approaching and diminishing. At once humorous, emotive and, to use Thomas Bernhard’s term, ‘corrective’, Thomas Bernard Malamud proposes new ways of thinking about the everyday as a series of necessarily deathbound, yet potentially joyful, decisions and displacements, additions and reductions.

Texts by Becky Beasley, John Slyce, Lydia Davis, Chris Sharp, Simone Menegoi
Co-published with Office Baroque Antwerpen 

68p - EN - 28x21.5cm - softcover - Edition of 500

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Thomas Bernard Malamud discloses, in its own clear yet unabridged way, the artist’s major concerns: the objects and activities of the everyday as physical, material and intellectual decisions played out in space by a subject who is simultaneously approaching and diminishing. At once humorous, emotive and, to use Thomas Bernhard’s term, ‘corrective’, Thomas Bernard Malamud proposes new ways of thinking about the everyday as a series of necessarily deathbound, yet potentially joyful, decisions and displacements, additions and reductions.

Texts by Becky Beasley, John Slyce, Lydia Davis, Chris Sharp, Simone Menegoi
Co-published with Office Baroque Antwerpen 

68p - EN - 28x21.5cm - softcover - Edition of 500
Becky Beasley - Thomas Bernard Malamud - Laura Bartlett Gallery 2009 | Saint-Martin Bookshop