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Anna Barham - Return to Leptis Magna - 2010
Return To Leptis Magna is composed entirely from anagrams of the title, revealing streams and webs of words, associations and meanings embedded within the phrase. Written with dream-like logic one theme gives way to another, pushing language to its figurative limits and charting a territory according to the contingencies of spelling. The reference to Leptis Magna and the use of the words as the substance of the book, come from the idea of a sculptural equivalence between the fragmented architecture of the ruined Roman city and letters as the basic units of written language, each capable of constructing multiplicities of new forms.
Anna Barham - 2010
96p - EN - 14.8x21cm - edition of 500
Anna Barham - 2010
96p - EN - 14.8x21cm - edition of 500
$7.32
Original: $20.92
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$20.92
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Anna Barham - Return to Leptis Magna - 2010
Return To Leptis Magna is composed entirely from anagrams of the title, revealing streams and webs of words, associations and meanings embedded within the phrase. Written with dream-like logic one theme gives way to another, pushing language to its figurative limits and charting a territory according to the contingencies of spelling. The reference to Leptis Magna and the use of the words as the substance of the book, come from the idea of a sculptural equivalence between the fragmented architecture of the ruined Roman city and letters as the basic units of written language, each capable of constructing multiplicities of new forms.
Anna Barham - 2010
96p - EN - 14.8x21cm - edition of 500
Anna Barham - 2010
96p - EN - 14.8x21cm - edition of 500
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Return To Leptis Magna is composed entirely from anagrams of the title, revealing streams and webs of words, associations and meanings embedded within the phrase. Written with dream-like logic one theme gives way to another, pushing language to its figurative limits and charting a territory according to the contingencies of spelling. The reference to Leptis Magna and the use of the words as the substance of the book, come from the idea of a sculptural equivalence between the fragmented architecture of the ruined Roman city and letters as the basic units of written language, each capable of constructing multiplicities of new forms.
Anna Barham - 2010
96p - EN - 14.8x21cm - edition of 500
Anna Barham - 2010
96p - EN - 14.8x21cm - edition of 500
